bio:

Lisa Huffaker integrates poetry, collage, book arts, and assemblage in many hybrid forms, from sculptural vending machines to a book of visual poetry created from a misogynist “self improvement” manual. Her writing and hybrid works are published or forthcoming in The Georgia Review, Cincinnati Review, Pleiades, Waxwing, The Iowa Review, and many other literary journals, and she has exhibited her assemblages at Ro2 Art, the MAC, and Bath House Cultural Center. She works as a teaching artist for Oil and Cotton Creative Exchange. A classical singer by training, she holds a master’s degree in vocal performance from the New England Conservatory, and sang with The Dallas Opera for 26 years. She is Teaching Artist in Residence for the Writer’s Garret, a frequent visiting artist at Nasher Sculpture Center, and was C3 Visiting Artist at the Dallas Museum of Art. Pegasus Contemporary Ballet recently premiered Words For a Resonant Space, a new dance work built on her poetry, and Pierce Planetarium recently featured her fusion of poetry, full-dome art projections, and music.

 

She first identified herself as an artist at age three, perched on a stool at her father’s workbench, drawing with carpenter’s pencils while learning how to pack ball bearings with grease. She has reveled in creative exploration ever since, trying her dirty hands at just about anything, and seeking out the company of fellow adventurers who share an appetite for meaning, making, and materiality.

press:

Lisa Huffaker - reading January, 2024

Featured poet at Inner Moonlight, a monthly poetry reading and podcast at Wild Detectives, curated by Logen Cure.

photo by Aaron Glover of the Writer’s Garret

Jordan Roth interviews Lisa Huffaker about Code Room

Also, get your art-loving self to Ro2 Art:

The Dallas Museum of Art interviews Lisa Huffaker about Sound re:Vision

Also, get your art-loving self to the DMA:

D Magazine’s article about White Rock Zine Machine: